My second project at Framestore Melbourne, working on the latest production centred around War Machine for Netflix.

I joined the project while it was already well underway, initially helping the team manage the large volume of shots that needed to be delivered. Later in the production, during the quarry sequence, I had the opportunity to fully author several shots, mainly focused on crane destruction and robot heatmap effects.

Despite the fast-paced and sometimes hectic nature of the production, it was a very enjoyable project to work on and a great experience collaborating with the team.