One of the biggest projects I had the opportunity to work on during my time at DNEG, and a particularly memorable one.

I worked closely with the Sydney team across sites, contributing to several desert sand shots. Some of the more challenging shots involved matching the behaviour and interaction of the sand around the car to the live-action plates, requiring careful attention to detail and a lot of iteration to achieve the right result.

The project was a great learning experience, giving me the opportunity to work on large scale FX within a major production while collaborating with artists across different locations. It was a challenging but very rewarding project to be part of.